From the ridge-pole of the house hung suspended a number of large packages enveloped in coarse tappa; some of which contained festival dresses, and various other matters of the wardrobe, held in high estimation. These were easily accessible by means of a line, which, passing over the ridge-pole, had one end attached to a bundle, while with the other, which led to the side of the dwelling and was there secured, the package could be lowered or elevated at pleasure.
Against the farther wall of the house were arranged in tasteful figures a variety of spears and javelins, and other implements of savage warfare. Outside of the habitation, and built upon the piazza-like area in its front, was a little shed used as a sort of larder or pantry, and in which were stored various articles of domestic use and convenience. A few yards from the pi-pi was a large shed built of cocoanut boughs, where the process of preparing the ‘poee-poee’ was carried on, and all culinary operations attended to.
Thus much for the house, and its appurtenances; and it will be readily acknowledged that a more commodious and appropriate dwelling for the climate and the people could not possibly be devised. It was cool, free to admit the air, scrupulously clean, and elevated above the dampness and impurities of the ground.
But now to sketch the inmates; and here I claim for my tried servitor and faithful valet Kory-Kory the precedence of a first description. As his character will be gradually unfolded in the course of my narrative, I shall for the present content myself with delineating his personal appearance. Kory-Kory, though the most devoted and best natured serving-man in the world, was, alas! a hideous object to look upon. He was some twenty-five years of age, and about six feet in height, robust and well made, and of the most extraordinary aspect. His head was carefully shaven with the exception of two circular spots, about the size of a dollar, near the top of the cranium, where the hair, permitted to grow of an amazing length, was twisted up in two prominent knots, that gave him the appearance of being decorated with a pair of horns. His beard, plucked out by the root from every other part of his face, was suffered to droop in hairy pendants, two of which garnished his under lip, and an equal number hung from the extremity of his chin.
Kory-Kory, with a view of improving the handiwork of nature, and perhaps prompted by a desire to add to the engaging expression of his countenance, had seen fit to embellish his face with three broad longitudinal stripes of tattooing, which, like those country roads that go straight forward in defiance of all obstacles, crossed his nasal organ, descended into the hollow of his eyes, and even skirted the borders of his mouth. Each completely spanned his physiognomy; one extending in a line with his eyes, another crossing the face in the vicinity of the nose, and the third sweeping along his lips from ear to ear. His countenance thus triply hooped, as it were, with tattooing, always reminded me of those unhappy wretches whom I have sometimes observed gazing out sentimentally from behind the grated bars of a prison window; whilst the entire body of my savage valet, covered all over with representations of birds and fishes, and a variety of most unaccountable-looking creatures, suggested to me the idea of a pictorial museum of natural history, or an illustrated copy of ‘Goldsmith’s Animated Nature.’
But it seems really heartless in me to write thus of the poor islander, when I owe perhaps to his unremitting attentions the very existence I now enjoy. Kory-Kory, I mean thee no harm in what I say in regard to thy outward adornings; but they were a little curious to my unaccustomed sight, and therefore I dilate upon them. But to underrate or forget thy faithful services is something I could never be guilty of, even in the giddiest moment of my life.
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